How will art and artists survive in the log-normally-distributed economy of attention?
Becoming a commentator-turned-creator? Hope you’re getting hazard pay. Some thoughts on the art of creation when you’re usually a critic.
This post is adapted from something I wrote on Google+. There are more comments over there; also see Evan Promodou's riff on the same idea. Google+'s combination of streams and circles works. So here's something I've been mulling over for a while: I really like Patronism's central idea. Rather than buying an album, you subscribe to an artist's feed, and get access to songs, photos etc as they're produced. That makes a lot more sense to me as a 21st century model for music. I also follow a lot