This Week in 2016 Cy Vance Still Arguing For Mandated Encryption Backdoors; Believes Third Party Doctrine Supports His Theory Sen. McCain Unhappy Apple Turned Down His Invitation To Be Encryption Hearing Punching Bag Cable Industry's False Copyright Claims Are Killing Cable Box Reform Efforts Prenda (Mostly) Loses Again; Court Says 'We Warned You To Stop...
Standouts include a version of Lead Belly’s hit “Midnight Special” led by filmmaker Rita Chiarelli and an incarcerated band.
https://www.youtube.com/shorts/26m4uomWx0Y Source: YouTube
As the nation celebrates two and a half centuries of independence, we put together a syllabus of some essential criminal justice reading.
Larry Tesler, the creator of copy/paste, explains: The Lisa was the first system to assign XCVZ to cut, copy, paste and undo (shifted with the “apple” key). I chose them myself. X was a standard symbol of deletion. C was the first letter of Copy. V was an upside down caret and apparently meant Insert...
Michael R and Andy have a different format of discussion this time around, and it counts as a "geek out"! A catch up on Andy's current work project, homelabbing, games of interest, and more.
A mind-shattering concept from a first-year university class that upended how I think about humanity. Daniel Quinn's Ishmael trilogy argues that totalitarian agriculture is why civilization is in peril. On the Law of Limited Competition, the Food Race, and how farming broke humanity's equilibrium with nature.
Cet article de blogue est écrit en français. This blog post is written in French. Sur les différences entre le français québécois et le français européen, l'histoire linguistique du Québec depuis 1763, les sacres québécois comme acte de rébellion contre l'Église catholique, et le michif, la langue mixte des Métis avec ses verbes cris et noms français, son ethnogenèse au 19e siècle, et son statut de langue en danger avec moins de 1 000 locuteurs.
Two years after the podcast’s co-creator’s dad died, he used hip-hop to celebrate their bond.
In a special edition of Closing Argument, Jamiles Lartey reflects on the region as the nation’s 250th celebration approaches.
A reference list of patents and applications relevant to package manager design, with notes on prior art.
Ike White’s “Changin’ Times” spans soul, rock, pop and jazz. On its 50th anniversary, it’s finally getting its due.
For readers of Say Nothing and The Immortal Life of Henrietta Lacks , the epic, true story of the Abuelas de Plaza de Mayo, grandmothers who fought to find their stolen grandchildren during Argentina's brutal dictatorship. In the early hours of March 24th, 1976, the streets of Buenos Aires rumbled with tanks as soldiers seized the presidential palace, overthrowing Argentina's leader. To many, it seemed like just another coup in a continent troubled by them, amid political violence and Cold War tensions. But there was something darker about this new regime. Quietly supported by the United States and much of Argentina itself, which was sick of constant bombings and gunfights, the junta quickly launched the "National Reorganization Process" or El Proceso —a bland name masking their ruthless campaign to crush the political left and instill the country with "Western, Christian" values. The dictatorship, which continued until 1983, decimated a generation. One of the military's most diabolical acts was the disappearance of hundreds of pregnant women. Patricia Roisinblit was among them, a mother and leftist revolutionary labeled "subversive" and abducted while eight months pregnant with her second child. Patricia gave birth in captivity, making one last call to her mother, Rosa, before vanishing. Her newborn son was also taken, one of hundreds given to police, military families, and dictatorship supporters, while their biological parents were secretly executed and their bodies disposed of. For Rosa and the other mothers in her same situation, the loss was unimaginable; their only solace was the hope that their grandchildren were still alive. United by this faith, a group of fierce grandmothers formed the Abuelas de Plaza de Mayo, dedicated to finding the stolen children and seeking justice from a nation that betrayed them. A Flower Traveled in My Blood is Rosa and the Abuelas' extraordinary story, told by a journalist with unique access. With authority and compassion, Haley Cohen Gilliland brings this tale to life, tracing the lives of Patricia, Rosa, and her stolen grandson, Guillermo. As the Abuelas transform into detectives, they confront military officers, sift through government documents, assume aliases to see suspected grandchildren, and even pioneer a groundbreaking genetics test with an American scientist. A compelling mystery and deeply researched account of a pivotal era in world history, A Flower Traveled in My Blood takes readers on a journey of love, resilience, and redemption, revealing new truths about memory, identity, and family.
Finger from 1971, Gopher from 1991, and Gemini from 2019. These protocols offer decentralized, terminal-based alternatives to the modern web. The small web's is in a renaissance. On the solarpunk philosophy of intentional technology, and how these protocols meet you where you are, whether you're on a machine from 2005 or just tired of Chrome's monoculture.
Sixty thousand miles of blood vessels run inside each of us, more than twice around the Earth. 330 billion cells are replaced every single day. Humanity has always built civilization beside rivers because we are rivers. Always in motion, never stepping into the same current twice, carrying cells that live only days alongside neurons that will last precisely as long as we do.
In 1995, China abducted six-year-old Gedhun Choekyi Nyima—the recognized 11th Panchen Lama—severing the chain of mutual recognition at the heart of Tibetan Buddhist succession. Meanwhile, Michif, a language born from Cree verbs and French nouns that belonged to no one but the Métis People, has nearly vanished within living memory. Both losses are the same act: colonialism's weaponization of continuity. On the extinction of languages, the cutting of red threads, and what it means to inherit a chain with links already missing.
A Powerful Assessment of How the U.S. Mass Media Fail to Provide the Kind of Information That We Need to Understand the World In this pathbreaking work, Edward S. Herman and Noam Chomsky show that, contrary to the usual image of the news media as cantankerous, obstinate, and ubiquitous in their search for truth and defense of justice, in their actual practice they defend the economic, social, and political agendas of the privileged groups that dominate domestic society, the state, and the global order Based on a series of case studies—including the media’s dichotomous treatment of "worthy" versus "unworthy" victims, "legitimizing" and "meaningless" Third World elections, and devastating critiques of media coverage of the U.S. wars against Indochina—Herman and Chomsky draw on decades of criticism and research to propose a Propaganda Model to explain the media’s behavior and performance. Their new introduction updates the Propaganda Model and the earlier case studies, and it discusses several other applications. These include the manner in which the media covered the passage of the North American Free Trade Agreement and subsequent Mexican financial meltdown of 1994-1995, the media’s handling of the protests against the World Trade Organization, World Bank, and International Monetary Fund in 1999 and 2000, and the media’s treatment of the chemical industry and its regulation. What emerges from this work is a powerful assessment of how propagandistic the U.S. mass media are, how they systematically fail to live up to their self-image as providers of the kind of information that people need to make sense of the world, and how we can understand their function in a radically new way.
A refusal of the sanitized story that rights were won by asking nicely. The suffragettes bombed Westminster Abbey. The Deacons for Defense guarded MLK. Mandela was on the U.S. terror list until 2008. On the radical flank effect, the state's monopoly on legitimate violence, and the 46 people who have died in ICE detention while we are told to keep our resistance polite.
"Authoritarian governments abroad have long used legal threats and lawsuits against journalists to cover up their disinformation, corruption, and violence. Now, as master investigative journalist David Enrich reveals, those tactics have arrived in America." — Ruth Ben-Ghiat, author of Strongmen David Enrich, the New York Times Business Investigations Editor and the #1 bestselling author of Dark Towers, produces his most consequential and far-reaching investigation an in-depth exposé of the broad campaign—orchestrated by elite Americans—to silence dissent and protect the powerful. It was a quiet way to announce a In an obscure 2019 case that the Supreme Court refused to even hear, Justice Clarence Thomas raised the prospect of overturning the legendary New York Times v. Sullivan decision. Though hardly a household name, Sullivan is one of the most consequential free speech decisions, ever. Fundamental to the creation of the modern media as we know it, it has enabled journalists and writers all over the country—from top national publications to revered local newspapers to independent bloggers—to pursue the truth aggressively and hold the wealthy, powerful, and corrupt to account. Thomas’s words were a warning—the public awakening of an idea that had been fomenting on the conservative fringe for years. Now it is going mainstream. From the Florida statehouse to small town New Hampshire to Donald Trump's White House, this movement today consists of some of the world’s richest and most powerful people and companies, who believe they should be above scrutiny and want to silence or delegitimize voices that challenge their supremacy. Indeed, many of the same businessmen, politicians, lawyers, and activists are already weaponizing the legal system to intimidate and punish journalists and others who dare criticize them. In this masterwork of investigative reporting, David Enrich, New York Times Business Investigations Editor, traces the roots and reach of this growing threat to our modern democracy. With Trump’s emboldened right-wing coalition committed to demonizing and punishing those who attempt to hold them accountable, Murder the Truth sounds the alarm about the looming war over facts, laying bare the stakes of losing our most sacrosanct rights. The result is a story about power in the age of Trump—the way it’s used by those who have it and the lengths to which they will go to avoid it being questioned.
My daily writing is a practice of releasing messages in bottles and folding paper cranes—from Montaigne in his tower and Johnson writing in poverty, to Sadako Sasaki folding 1,450 cranes in a hospital ward. What the essayists, drift bottles, and Senbazuru share, and why the attempt itself is the whole math.
From New York Times reporter Jazmine Ulloa, a sweeping human history of El Paso, revealing violence, power, and privilege at play in America's most famous border town. El Paso has been called the "Ellis Island" of America's southern border, a mountain pass cum border town cum bifurcated metropolis where past meets future, and disadvantage meets opportunity, or so the promise goes. El Paso is an extraordinary, can't-look-away reported history; it uses deep research and dozens of new interviews to blow away the myth of this place, where Mexico's Juarez and America's El Paso intertwine. It charts the history of El Paso through five families. From the Mexican Revolution and the Mexican Repatriation, to the shifting immigration laws under Reagan and Trump and the violence and bloodshed brought on by the drug war, El Paso captures a place often misunderstood or forgotten by the rest of the country, and the world. El Paso is a brave new work of narrative nonfiction that gives new voice and perspective to history that has long been checked at the border, or told through the lens of white men alone. Ulloa draws upon meticulous research and reporting and stunning historical detail to craft the intimate narratives of an unforgettable cast of characters.
Grammar/Glamour/Grimoire. 言霊 & heka. Spelling & spellcasting. The Word. Writing is generative, not descriptive. Cultures across millennia have understood that words conjure reality. Writing conjures, symbols activate the brain, serving as telepathy across distance and time.
Is Mount Rushmore overrated? Our experience visiting Mount Rushmore in winter, what surprised us, and whether this iconic South Dakota stop is worth it.